This student blog incorporates both found-articles and original articles based on marketing within the entertainment biz- including gaming, films, TV, radio and publications.
In light of the horrific July 20th Aurora theatre
shootings during a screening of Dark Knight Rises, social media and news
outlets have been abuzz with responses from both celebrities and non-celebrities.
However, it was the responses from the organisation and workers behind the film
that the media sought after most.
Warner Bros., the studio responsible for the modern Batman
trilogy, along with the cast and crew, promptly mobilized the PR machine to
maintain consumer and media sentiment as they dealt with this crisis as an
interrelated stakeholder.
Although this is a strategic management function, it must be
remembered that the response and reactions are genuine and are no less
heartfelt. The following are PR activities and responses performed by both the
studio, and the film’s cast and crew.
From the Studio
Within the first 24 hours following the shooting, Warner
Bros (WB) issued a statement
regarding the tragedy:
“Warner Bros. is deeply saddened to learn about this
shocking incident. We extend our sincere sympathies to the families and loved
ones of the victims at this tragic time.”
Reports also
stated that Dan Fellman, head of distribution for Warner Bros., had been up
since 4 am (shooting occurred at 12:39am that night) assembling a PR responsive
campaign.
Warner Bros continued to empathises and mourn for the
victims by meekly cancelling multiple
marketing and PR activities originally organised for the release of the film,
including international premieres in Paris and Japan, interviews with the cast
and crew, and softening marketing tactics.
In addition to cancelling PR and marketing activities, WB
also delayed the release of
opening-weekend box office figures as it deemphasised the commercialisation
of the film and maintained a grieving humbleness in respect for the victim’s
and their families.
And, although unconfirmed, it has been reported
that WB will be making a ‘substantial’ donation
which will be distributed across several charities that will support victims of
the July 20 killing spree.
From the Cast and Crew
The first major response from the cast and crew was delivered
by director Chris Nolan- acting as a spokesperson for everyone involved in the production
of the Dark Knight Rises- through a news
release statement:
“Speaking on behalf of the cast and crew of The Dark Knight
Rises, I would like to express our profound sorrow at the senseless tragedy
that has befallen the entire Aurora community. I would not presume to know
anything about the victims of the shooting, but that they were there last night
to watch a movie. I believe movies are one of the great American art forms and
the shared experience of watching a story unfold on screen is an important and
joyful pastime. The movie theatre is my home, and the idea that someone would
violate that innocent and hopeful place in such an unbearably savage way is
devastating to me. Nothing any of us can say could ever adequately express our
feelings for the innocent victims of this appalling crime, but our thoughts are
with them and their families.”
Among responses from the film’s co-stars Joseph
Gordon-Levitt and Gary Oldman, the lead actors, Anne Hathoway and Christian
Bale, also released statements regarding to the tragedy. Hathoway’s statement
read:
“My heart aches and breaks for
the lives taken and altered by this unfathomably senseless act. I am at a loss
for words how to express my sorrow. My thoughts and prayers are with the
victims and their families.”
Bale opted for a more condense statement, declaring:
“Words
cannot express the horror that I feel. I cannot begin to truly understand the
pain and grief of the victims and their loved ones, but my heart goes out to
them.”
Famous
composer of the film, Hans Zimmer, wrote
and produced a requiem in memory of the victims, instead of releasing a
statement.
However,
it was Christian Bale’s surprise visit
to victims of the massacre that gained monumental media coverage and
sentiment. Bale visited the Medical Center of
Aurora several days after the disaster,
spending hours with the numerous wounded victims, posing for pictures and
talking with the patients, nurses and officers.
So, in total there
were seven major PR responses from the cast and crew of the Dark Knight
Rises in light of the Aurora theatre shootings, which included:
1.Issued statements
(by Warner Bros. studio)
2.Cancellation
of marketing/ PR activities (premieres, interviews, advertisements)
3.Delayed
release of Box Office figures
4.A philanthropic
donation
5.Issued
personal statements (by Nolan, Hathaway and Bale)
6.Composition
a ballad
7. And, a visit to the victims by Bale
And although these are strategic PR responses, it is necessary to again remember that the shootings were a tragic occurence, and that the recations from the studio, cast and crew are profoundly honest and benevolent.
Although both Transformers, and Transformers: Revenge of the Fallen have the same appealing qualities, it was whilst watching the third Transformers’ film that I noticed how Paramount Pictures segmented this product to suit a masculine audience. Transformers: Dark of the Moon has three major features that are designed to suit their target audience:
Storyline: Although the film has a storyline, it is halted mid-way through the film only to be replaced with a good hour and a half of running and fighting sequences that would make a female lethargic while watching it. But what remains of a plotline is thick with military campaigns, characters, weaponry and patriotism. Although the armed forces are globally male-attracting, the movie specifically focuses on the US military and America- the major consumers and producers of these kinds of film.
Before being remade for an older audience, Transformers began as an 80’s children toy and TV series. The story focuses on the war between the good Autobots and the evil Decepticons. Unlike the Bay’s version, the transformers are not as violent and the situation never as dire. The franchise was very popular with boys, only to becoming a retro and a cult classic in the following decades. In the age of dark movie reboots, Paramount (in cooperation with Hasbro) bought the rights to recreate the childhood classic, into a mature action adventure in the same league as The Dark Knight and Sam Raimi’s Spiderman films.
Casting and crew: Michael Bay led the production team for the three films. Much like many of Bay’s previous projects, the film’s storyline comes second to the need for action sequences. Pearl Harbour, Armageddon and I Am Number Four sport Bay’s ability to compensate bad scripts with the perfect action adventure- explosions and impending doom included. And without attempting to stereotype the entire male population, this is exactly what turns men on.
Even the casting skews towards satisfying, or at least appealing, to men. For example, Meghan Fox’s character (and her replacement in the third film, who coincidently looks like Meghan with a blonde wig on), are extremely popular, smart, sexy and successful. Realistically, this kind of women would not date or even consider dating someone as ordinary as Shia LaBeouf’s character. But in the film they do, and that is what ordinary men would prefer to see and believe. And apart from a line of dialogue and being eye-candy, the female lead is largely irreverent to the plot.
Props: When it comes to transforming robots, producers cannot ignore pleasing and attracting boys with an interest in big toys. Among helicopters, spaceships and guns, the film deliberately draws attention to the very costly cars that are the Autobots. The Chevrolet Camaro, Pontiac Solstice, Hummer H2 and Saleen S281 Extreme are just some of the cars that would make a man’s mouth water when watching them tear up the roads (sealed or not) all across the globe at high speeds.